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Coleccion Privada (Cd 1) by Monica Naranjo - Download Mp3 Album

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Genre: Funk
Release year: 2005

Coleccion Privada (Cd 1)

Review by Alex26.Jul.10

Starting well before Music for Airports, ambient music liked to get fresh with place. Erik Satie aspired to "furniture music," Eno tried to allay fears of fiery airplane death with loops of living-room piano, and those who followed have tried to capture a similar sense of the domestic and particular. Scott Morgan is one of those guys. Unlike Tim Hecker or Pantha du Prince, who draw from more intricate arrangements, Morgan lays his sounds bare and lets them go right to work. Recording as Loscil since the early 2000s, he's built an impressive catalogue of pensive, minimal records that turn computerized sounds into something strangely soothing-- the kind of music you want to listen to flat on your back, eyes fixed at the ceiling. While each of his records is at least good, it started to feel by 2006's Plume like Morgan had reached a creative plateau. The album’s success doesn’t hinge on this moment — the track, featuring spoken word from Destroyer’s Dan Bejar, simply stands apart. What’s unique about it, beyond the presence of words, and what distinguishes it from the rest of loscil’s music and even the contemporary ambient pack altogether is the way it dramatizes the ambivalence of making and listening to ambient. In music that foregrounds process so intensely, theory intervenes not only for the composer, but for the listener; pleasure emerges from these mediations. Bejar’s words make up a vivid, short-circuiting text that captures the potential and the bathos of minor music: in Bejar’s words, it’s "the trick of making something confounding and great and potentially horrible drawn up from air."

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Endless Falls, Scott Morgan’s first Loscil wedding album since 2006’s Plume, reveals that while the producer’s verge on has remained basically the same since Triple Point, he obsess diet dimensions with each release. the same what with his previous work, the album’s reinvest are focused throughout a central theme -- in addition to Endless Falls’ wire motif is especially apt for an ambient artist. Morgan was inspired by the rain that washes over his home base of Vancouver, in addition to field recordings of storms that he made in his plot flow in in addition to out of nearly every track here. Rain is what's more a clear influence on the rest of Morgan’s beautifully integrated sonic palette, which spans delicate pitter-pat percussion, limpid pealing tones, in addition to deeper-than-deep bass that rumbles like thunder. This water sound isn’t like the virtually unfathomable depths Morgan explored on Submers, disrespectfully -- it’s gentler in addition to more introspective...